哆哆咯

听他们的歌最喜欢的一首,只有两人对话.找了朋友弹吉他背景旋律,却找不到那样的味道.谁买得到碟我一定谢她.

如果真的有lady or bird,会陪我往下跳吗.

La Ballade Of  Lady ＆ Bird

Bird :  Lady?
Lady : Yes Bird?
Bird :   It's cold
Lady :  I know
Lady :  Bird... I cannot see a thing
Bird :   It's all in your mind
Lady :  I'm worried
Bird :   No one will come to see us
Lady :  Maybe they come but we just don't see them
           What do you see?
Bird :   I see what's outside
Lady : And what exactly is outside?
Bird :   It's grown-ups
Lady : Well maybe if we scream they can hear us
Bird :  Yeah, maybe we should try to scream
Lady : Ok, Bird
Lady & Bird : Heeeelp, Heeeelp 
          Can you hear us now ? 
           Hello ! 
           Help ! 
           Hello it's me 
           Hey 
           Can you see 
           Can you see me 
           I'm here 
           Nana come and take us 
           Hello 
           Are you there 
           Hello
Lady :  I don't think they can hear us
Bird :   I can hear you lady
Bird :   Do you want to come with me maybe
Lady : Will you be nice to me Bird
Lady : You're always be nice to me because you're my friend
Bird :   I try but sometimes I make mistakes
Lady :  Nana says we all make mistakes
Bird :   Maybe we should scream more
Lady :  Yes, Bird let's scream more
Lady & Bird : Help ! Help us ! Come on ! Help 
            Hello ! 
            Help 
            Hello ! 
            We're lost
Lady : I think they cannot see us
Bird :  Nobody likes us
Lady : But they all seem so big
Bird :  Maybe we should just jump
Lady : What if we fall from the bridge and then nobody can catch us
Bird :   I don't know let's just see what happens
Lady : Okay
Bird :  Come with me
Lady : Shall we do it together
Bird :  Yeah
Lady & Bird : 1 2 3....Aaaaaaah

Bird :  Lady?
Lady : Yes Bird
Bird :  It's cold
Lady : I know
Lady : Bird...I cannot see a thing
Bird :  It's all in your mind

阿里蒙太奇人体摄影

我不懂摄影,只是选择性地沉浸在照片的意境里面,真实自由解放或是束缚.

唱你我最爱MAVIS的《DARLING》

喔吧,给我一个未来.

奶茶 每天都喝的奶茶

SOPHIE ZELMANI全记录

Tracklist: Sophie Zelmani

1: I'd be broken
2: Stand by
3: There must be a reason
4: So good
5: Always you
6: A thousand times
7: Tell me you're joking
8: Woman in me
9: You and him (string)
10: Until dawn
11: I'll remember you
12: I'll see you

T

Tracklist: Precious Burden

1: Leaving
2: Black day
3: Precious burden
4: So long
5: Excuse me
6: Got to stop
7: Before the day's gone
8: Goodbye
9: Foolish
10: Curtain fall
11: Who I am

Tracklist: Sing And Dance

1: Oh Dear
2: How's Your Heart Doing
3: Going Home
4: People
5: Once
6: Breeze
7: Sing and Dance
8: Yes I Am
9: Moonlight
10: Gone With The Madness
11: How It Feels 

Tracklist: Love Affair

1: September tears
2: Maja's song
3: To know you
4: Memories
5: Truth
6: Keep it to yourself
7: Grand as loving
8: Dream gets clear
9: Fade
10: Hard to know
11: Your way
12: Stay with my heart
13: Lost in love

听了三年,很少向人提及,直到王菲的《乘客》很多人才开始说起原版《GOING HOME》说起SOPHIE ,此时的她已经第五次重复同一风格,一如既往.和王菲一样的声音,异曲同工的质感.但王菲是强烈的,SOPHIE是细致的.她是个密友用吉他和弦衬托不变的温暖甜美的嗓音来与你分享她的情感与心情变化,鼓与贝斯亦或是长笛与小提琴,低沉而又悠扬地旋律沉静,仿佛独自一人走在结满冰霜的大路上,空气清冷干净,世间只有这份沁凉绝美的意境.

看到她就很想习习,前人的"默契"论让我恨头透了她,后又喜欢上了这个女人.两人的默契一发不可收拾.不能说我是最爱王菲的人,但我能说她比我更爱.常常深夜没人说话,两人开始自己说自己的给对方听到,笑骂完毕,又扎回自己的世界.很少通电话,每每的通话也几乎是没有预约的同时哭泣.一条短信,一起跳上公车去KTV,放AVRIL和DIDO的歌来听,唱儿童歌唱男人的歌,不唱王菲,谁都提不起这个热情.

和她的统一口号不是作为签名的安妮与张爱玲的文字,只是我和她的心声:我们都是很平凡的人.

上来删歌,BLOGBUS的速度真让人汗颜.

不过是小小的低头而已,不代表失去了什么.但你的骄傲让你失去了我对你的欣赏与耐性.

一个沉闷的考试半月，心却异常沉寂．翻出过去听的歌，翻出上一个暑期前的考试月．

花整天整天的时间泡教室看英文版的西方经济，硬是把每个字都看懂．不知道为什么这样倔强，现在想起真的很傻．就是想把自己埋在纸张黑字和音乐里．考前开始焦躁不安，半夜打电话哭泣，竟然也是为了考试，如果是换成高中时候如此态度，也许就不会在高考中摔得如此惨重．有时坐在蚊帐外挂着整块SNOOPY床单的床里听一夜王菲的歌，翻ANNI的小说,死一夜的情绪.当时还没如今互传考试资料的流行风尚,只记得和几个友人交换重点范围.很清楚记得头哥哥向我借西经的作业本,小小的兴奋持续了好久,后来才知道也是借口.一切已逝,转了个直角,留下一切透明的记忆;在烈阳中仓木麻衣的歌抚慰了浮躁的心,想的都是他们;每考完一门,就和++去11吃晚饭,然后围着生活区走,说很多花,然后躺在草地上嬉笑;和树的第N次遇见,只是点头招呼,还记得地点时间和两人的穿着.如今也已物是人非.太多的记忆停在一年前的时光,一生中最自我的一段.

如今,考前的突击也变得这样慢条斯理,表面的故作轻松掩饰了无穷无尽的彷徨失措.开始习惯在嘈杂的图书馆坐上一整天,然后不听歌不写字不发晚安短信地在凌晨睡去;开始习惯不喝咖啡坐上一整夜,习惯一半时间上网一半时间复习,习惯没有一个人的短信,习惯有耐性地接收小白的关心短信,习惯穿着TS短裤和拖鞋和室友下楼吃饭.习惯和朋友讲很多无聊的笑话,习惯在不想出声的时候继续傻笑,习惯和过去的人交换资料............

WINAMP里的歌正好放完,回忆暂停,VFP了.

让自己暴晒了一个下午,泪撒光了,感情耗完了,心凉透了.身体反应无力晕旋时,脑子里是父母朋友曾经的爱人,是感动人的场面.决定不纵使自己休克为止,决定下狠心洗心革面.

忏悔录

不该白生生地浪费宝贵的时间 不该吃太多 不该吃太少 不该下雨不打伞 不该夏天不遮阳

不该空腹和睡前喝咖啡 不该上火还吃很辣的东西 不该胃痛还不吃东西 不该生病不吃药

不该买了裙子不穿 不该败家 不该丢了东西不知道 不该半夜还看小说

不该逃课 不该挂科 不该不学最爱的数学和英语 不该不学最不喜欢的会计 不该在图书馆浪费时间

不该敏感 不该乱发脾气 不该想哭就哭 不该放不掉那个人 不该一通电话就怪罪那人 不该一不顺心就吵架

不该犯错误还原谅自己 不该不开心就一个人通宵K歌 不该难过时就想死 不该让关心我的人担心为难

最不该让父母担心得跑到杭州来陪我

回到整天笑不停的我 回到拿一等奖学金得三好学生的我 回到没有拿第一也有最多掌声的我 回到人见人爱的我

此忏悔录不再更新 坚决不再更新

PS:各位进来看的兄弟姐妹 请帮忙留个言 为我作个见证 小女子这厢有礼了

 <It's raining>  Rain

太性感了

和WW女人聊了好多现实,发觉这个世界越来越让人难做自己做人.都是非常眼前的事:学习恋爱婚姻家庭前途...她仿佛经历了太多坎坷一样,一该先前的乐天,沉重消极,着实让我吓了一跳.刚才被劝说搬进考研寝室,也只是为了凑数,竟被寝室大姑娘说死,认为我只是一不安宁的玩徒,听得我一口气差点没上来.那2500也不是白拿的!

发现又一比我年轻却长得比我成熟和sexy的音乐妖精,声音和她的脸蛋一样像极了catamount,更要命的是唱得比我强不知道多少天文数字倍.

「Stacie Orrico」

Stacie Orrico is no ordinary seventeen-year old. Ordinary seventeen-year olds don't rack up gold sales figures with her debut release and no mass media buzz. Stacie did. Her first album, Genuine, bowed at #1 on the Billboard Heatseekers chart, and has gone on to sell over 500,000 units.

Ordinary seventeen-year olds don't possess the brand of dynamic stage presence that can make an impression on Destiny's Child. Stacie did, and the Grammy-winning trio handpicked her to share the bill for dates on their tour.

And, most strikingly, ordinary seventeen-year olds don't possess both the vocal firepower and songwriting acumen found on the Virgin Records debut from this fresh new talent. Stacie does. And you can hear it in every note, every beat, and every word, of Stacie Orrico, beginning with her breakout lead single "Stuck."

Although her singing bursts with youthful exuberance, Stacie is more conscious and articulate than most of her peers ?and this time out, she was determined to challenge herself to be even more honest as a songwriter, while also pushing her hook-laden pop in new musical directions. The edgier R&B grooves of Stacie Orrico, which features contributions from hitmakers Dallas Austin (Pink, TLC), the Underdogs (Tyrese) and Virgin CEO Matt Serletic (Santana, matchbox twenty, Aerosmith) reflects just how much she's grown up in the two years since Genuine.

"I definitely wanted the music to be more aggressive," she emphasizes. "All of my influences are very soulful musicians ?my favorite artist is Lauryn Hill, and I've always loved Whitney Houston and Ella Fitzgerald ?and I wanted to explore that direction more." As a singer, Stacie is as poised and persuasive as her jazz and R&B idols, as is evidenced by her confident reading of the Diane Warren-penned ballad "I Promise."

Stacie Orrico continues to showcase the frank yet responsible lyrical approach that Stacie's established fans expect from her. "I'm a teenager, living a similar life that most seventeen-year-old girls are," says Stacie. "So whether it's from a positive perspective, or a questioning one, I want to sing about the things I'm dealing with, and worry or wonder about: Growing up, and guys, and family." Stacie isn't afraid to write lyrics that tackle tougher topics, too; though a pop song, "Hesitation" finds her ruminating over the notion of life after death.

Her infectious first single, "Stuck," is an immediately arresting example of her ability to address sentiments that resonant with a diverse array of listeners. "So many people, especially young girls, get into relationships where they're not being treated very well," says Stacie. "But they end up staying in them, because they find security in having a boyfriend, and maybe haven't seen what a good relationship is like. So you end up feeling emotionally torn, or stuck, which is where that whole I hate you, but I love you/I can't stop thinking of you part comes in."

<(There's gotta be) more to life/ MV >

Although music was part of family life in the Orrico household, and Stacie sang at church and in school, she never intended to pursue a career in entertainment. "I had always loved to sing," she admits. "But I was not raised in a showbiz home, and my parents are the farthest thing from stage parents."

In 1998, at the age of twelve, Stacie was discovered singing in a talent contest she'd entered on a lark; an A&R exec judging the event snapped her up as soon as she won first prize. Two years later, her debut, Genuine, entered the Billboard Heatseekers chart at #1. Her performances in support of the rapidly-selling release caught the attention of Destiny's Child, who asked her to be their opening act for a string of U.S. dates in 2001.

"They taught me a lot," says Stacie of the time she spent warming up for Beyoncé, Michelle, and Kelly. "I had the privilege of touring with them at one of the highest points in their career. And there they were, on top of the world, yet I would watch them still take time to talk to the fans, and listen to people, and never act jaded."

With the release of the lively, polished Stacie Orrico, this vital new voice introduces her vibrant musicianship and sophisticated performance chops to the world at large. It was fate that Stacie became a professional entertainer, and fate that brought her to Virgin records, but now she has a mission, one that is simple, direct, and a far more ambitious than the dreams of ordinary seventeen-year olds. "I want to impact people's lives with my music," Stacie insists. "People of all ages, from all walks of life. If I can accomplish that, just by sharing some of my experiences, then my goal will be attained."

本应该用清凉的笑容对待这个躁热的夏天，但满眼都是刺眼的灼烧与闷热的暧昧；44KG的身躯抵挡无助的落寞，干涸的汗水洗涤封存的泪痕.这一篇又将是痛苦地打了字擦了字又恶俗不过的无病呻吟.

'[柏拉图情人]心中的柏拉图温暖,身边的情人暧昧.'----昨天的短信中只记住这一句歌词,处于分手边缘的两人,从我身上,一边找寻安慰.一边亦找寻安慰.谁是谁,到现在才反应过来想起这个问题.

接到的电话都是'就是找你' '隐身等你'晚上过来玩可以唱".[宝贝] [妹妹] [亲爱],已经无法承受这些字眼的无奈与暧昧.在姐姐地方诉委屈,他都心疼地唤"傻丫头",很温暖的称谓,亲人般,一辈子.生活并非'娱乐',也不愿提供'消遣'.累了,这份失落并非镁光灯泡泡机频闪与歌曲的落差,麻木地厌烦周遭暧昧不清的空气.

理会太多,病了太久,需要康复与欢笑.枕边的画册与圣经陪我安睡．